Entrevue Vidéo par Sara Pesatori PUNTO & LINEA / Mc DIVA / ART&VIEW
Category: LaB
New Blender video Commercial
Some Still of the commercial video i am making right now with Blender.
Nouveau vidéo commercial relaisée avec BLENDER
Some Still of the commercial video i am making right now with Blender.
Aporia Review on Punto e Linea Magazine
Read the Aporia review (in Italian):
” Un non-luogo è ciò che viene offerto agli osservatori, non mostrato, bensì presentato per essere esperito e scoperto in un proprio percorso individuale. L’invito è aperto, si varca l’ingresso ed un’atmosfera eterea, densa di lieve fermento empatico aleggia nel vasto e arioso spazio, un tempo spoglio, asettico, gelido e che ora vive di una ricercata, poetica ed accogliente composizione installativa.”
TAP Fusion Promotion Video
Just finish TAP FUSION promotion video for Tony B.
Aporia
Aporia signifie : sans moyens, sans ressources, privation, dénuement, indigence,
questionnement, contradiction logique, incertitude, embarras, étonnement, état en
suspension, difficulté de traverser, l’infranchissable, l’impénétrable.
Aporia, cet ébranlement des certitudes instituées et des évidences quotidiennes,
devient ainsi un élément indispensable à toute création philosophique et artistique, à
toute démarche qui interroge ses propres présupposés et fondements. Il s’agit ainsi de
voir double et de se voir double, de distance, comme sur une scène de théâtre.
Blender and SVG export test
Thank’s to Liero on Blender Artist forum and his awesome plugin ( Here ) you can export very nice vector images in vector format (.svg) from Blender and rework in yours favorite vector graphics software (mine is inkscape) here some early test:
New Arduino Project
Arrival of new Arduino let’s investigate in some new exciting project.
Bokeh in Blender video render with Cycles
Fast test creatingin Blender bokeh with Cycles
Scenography as a Territory
Scenography as a Territory At the beginning is Void and Darkness. It is not yet a Topos. It is an Utopia. An Utopia where the characters of the play are revived, restructured and projected into space and time. In the Darkness progress is made in the way of a sculptor who instead of adding he… Continue reading Scenography as a Territory